The abstract, formally spare and physically compacted work of Manish Nai stems from his dialogue with certain emblematic examples of late Western Modernist art, coupled with his preoccupation with materiality, which pushes his practice towards the making of simple, unitary forms that are salient in Minimalism.
Nai decides to exploit his material's malleability — by twisting and wringing and folding it — and then shapes and compresses its tactile voluptuousness into fairly monumental rectangular or square slabs. The process of compressing the materials — jute, corrugated cardboard, newspapers, old clothes — hardens their initial malleability, desiccates their ductility, transforming them into flattened fossilized versions of themselves.
The particular process deployed by him has led his work to take a more playful turn as in the slender ‘poles’ or 'beams' made of compressed clothes that are portable, lighter to handle, more vivid in their colouristic appeal. These are either serially propped up against a wall (recalling the similar disposition of a series of distaffs in a famous work by Jannis Kounellis) or piled up in a heap on the floor. Considered individually, the pole cannot but recall the portable coloured wooden staff that was a signature pictorial element of André Caderé’s performative and conceptual practice.
Born 1980, in Gujarat, India
Diploma in Drawing and Painting, L S Raheja School of Art, Mumbai
Lives and works in Mumbai
‘Manish Nai – New Works’, Galerie Mirchandani + Steinruecke, Mumbai
'Manish Nai’, Het Noordbrabants Museum, The Netherlands
‘Manish Nai’, Fondation Fernet-Branca, St. Louis, France
India Art Fair, presented by Galerie Mirchandani + Steinruecke, New Delhi
‘Connecting Threads: Textiles in Contemporary Practice’, curated by Tasneem Zakaria Mehta and Puja Vaish, Dr. Bhau Daji Lad Museum, Mumbai
India Art Fair, presented by Galerie Mirchandani + Steinruecke, New Delhi, India
'Building / Environments’, permanent collection display, Smart Museum of Art, Chicago, USA
'The Sculpture Park at Madhavendra Palace', curated by Peter Nagy, Nahargarh Fort, Jaipur, India
‘DWELLING, 10th Anniversary Show (Part II)’ , Galerie Mirchandani + Steinruecke, Mumbai, India
‘Gallerists as Interventionists : Collaboration as Strategy’, Lakeeren Gallery, Mumbai, India
Prudential Eye Award for Painting, Singapore
‘Künstler: Kritisches Lexikon der Gegenwartskunst’, published by Kunsthandel Verlag GMBH, Frankfurt, Germany